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Vegas has always been the scrappy little brother in the fight for the top NLE. Due to its enterprise and project-sharing abilities, it’s still the overwhelming choice of NLEs for most Hollywood-level productions.Īfter the upgrades in the recent update, I will say that it looks a lot friendlier and more modern compared to the block-y gray blob it used to be. If you’re serious about becoming an editor for a post house or grinding your way to entering the ACE guild, Avid is the right choice. It’s the workhorse of all of the NLEs out there. It won’t blink at high-resolution video or shy away from a monster timeline. It’s incredible at handling feature-length projects, and the organization tools inside the program are hard to match. So, let’s talk a bit of why Avid is an option and how it doesn’t have to be scary!

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However, just because we’re not well-versed in the software doesn’t mean it’s not worth checking out.

I’m pretty sure everyone who writes for PremiumBeat has tried Avid at some point in their career, and nobody is currently working in the program-if that says anything.

Motion Design in Fusion doesn’t match up to After EffectsĪhh, Avid-the one NLE that aspiring editors love to hate.

A steep learning curve, and sometimes hard to understand UX.

No monthly subscription or upfront cost.

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It gives you all the tools you need to make a professional edit in one program.

Incredible industry-standard color correction and grading software within the program.

Okay, now it’s time we stop waxing poetic about Resolve and get to the pros and cons: Pros:

One Year After Giving Up Premiere for Resolve.

We’re such fans that we’ve written extensively on the transition process and what you can expect for this move.

Here at PremiumBeat, we’re big fans of Resolve and have made the switch entirely.

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If you want to learn more about the inner workings of DaVinci Resolve and learn how to use it, download the program for free and follow along with our multiple tutorials by Lewis McGregor to get yourself acquainted. To be specific, we’re currently on version 17.4.5 of the software. Version 17 of DaVinci Resolve provides many new features, updates, and adjustments to make it one of the best, well-rounded, full-production packages available.

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I’d wager that Blackmagic updates Resolve at a far greater capacity than other vendors update their NLEs.

DaVinci Resolve 17’s System RequirementsĮvery year, they continue to populate the software with numerous new features.

From a fully-functional suite of Fairlight studio to a lite inclusion of Fusion for VFX and motion design, it’s become such a mainstay, we’ve published several tutorials on the matter- check them out here.Īlso, before you leap, check out our in-depth breakdown of all the system requirements for Resolve, regardless of the type of computer you have. Then, year by year, Blackmagic started to introduce several new pages. However, come 2016, Blackmagic put a primary focus on Resolve’s edit page, making it more fluid and responsive with numerous new editing features that could look to rival Premiere Pro. It’s still one of the top three choices for professional color graders. And, of course, let’s not forget that the premium studio version of the software ships with almost every Blackmagic product.īefore 2015, Resolve was primarily known for being a color correction and grading platform. Due to its availability and reliability, we’ve seen a considerable uptick in creators switching over to Resolve. There’s a significant shift in the indie circuit regarding Resolve.

I’m starting with DaVinci Resolve because this is my absolute first choice for a free, incredibly powerful, and intuitive NLE.